Park Nights 2017

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Tamara Henderson, Seasons End: Out of Body

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Ha!, Boucha Ouizguen, Compagnie O (2013). Photo by Herve Veronese

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Corbeaux, Compagnie O. Courtesy of Bouchra Ouizguen. Photo by Hasnae El Ouarga

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Joseph Grigely, Untitled Conversation (Bad curating) 1995, Ink on paper. Courtesy of the artist and Air de Paris, Paris

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Shen Xin, Provocation of the Nightingale #1, 22mins, 2017

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Tamara Henderson, Seasons End. 2016. Installation view at The Mitchell Library, Commissioned by Glasgow International. Courtesy the artist. Photo: Ruth Clark

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Tamara Henderson, Seasons End. 2016. Installation view at The Mitchell Library, Commissioned by Glasgow International. Courtesy the artist. Photo: Ruth Clark

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Tamara Henderson, Seasons End: Panting Healer. 2016 Installation views at REDCAT, Los Angeles. Courtesy the artist. Photo: Brica Wilcox

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Love is the Message, The Message is Death (still), 2016 Video (colour, sound) 7 minutes 25 seconds Courtesy: The Artist and Gavin Brown's enterprise (New York / Rome)

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Arthur Jafa, Love is the Message, The Message is Death (still), 2016 Video (colour, sound) 7 minutes 25 seconds Courtesy: The Artist and Gavin Brown's enterprise (New York / Rome)

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Eleanor Antin 100 BOOTS Turn the Corner Solana Beach, California. May 17, 1971, 2:00 pm (mailed: Augustl 9, 1971) Courtesy of the artist and Ronald Feldman Fine Arts, New York

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Eleanor Antin, Two Eleanors, 1973 Silver gelatin print mounted on board 11 x 14 inches Courtesy of the artist and Ronald Feldman Fine Arts, New York

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